Andi Syme

EGO-STROKERS

EGO-STROKERS are a series of images of queer and trans* folk mocking the devastatingly common “ego-stroking” men, who only function to please themselves and further their self-status. With no empathy or attachment to others, they hump each other to meet their own desires. Using their image and appearance as an arrogant buffer, they exploit the energy and emotion of others to get off. 

Stoic and motionless, the figures interact with a subtle sense of guilt, anger, and secrecy. Hovering just above each other’s bodies, they withhold pleasure from contact. Captured in black and white, the binary value of the images further this disconnect and distinction. 

Subject X = the nuance of gender expansiveness and identities (& critique of oppressive gender ideologies )

Fagagraphs

In a black and white binary world, those who are seen as ‘in the grey area’ play within this fluid space, morphing to mimic, mock, or metamorphosize. Soft, liquified bodies stretch and transform as disruptions to binaries, acknowledging nuance and expansion of identity and social construction. With explicit texture of the figures bodies, we witness the results of weathering from living an expansive life. This same weathering helping sculpt the figures, in their bodies, minds, and connections. 

An autobiographical work, Syme explores their experiences as a trans* and autistic individual, a commonly overlapping idenity which is rarely recognized as visible. From this space, unique kinks, humour, communication, and community structure arise. Neuroqueers often express feeling like an alien, non-human, or that we relate more to other animals than humans, as a result of our neurotype and how we have been socialized in an unaccepting society. Comedic and exaggerated, Syme captures these ‘Fagagraphs’ to play with, connect, and reflect their community.

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playing with queer kink, gender dysphoria, and t4t sexual relations.

queer art references: Tessa Boffin, Catherine Opie, Felix Gonzalez-Torres


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4 responses to “Andi Syme”

  1. svermaak Avatar
    svermaak

    Wow just wow… these are incredible. I sense so much emotion, which is especially conveyed after reading your statement. I think the choice of black and white works really well with your idea. I love the last photo and the filter you have chosen to go with it, giving it a glow as well as movement. My only suggestion is to use a wooden chair (something vintage maybe) rather than the office chair. I just feel like that might go with the theme more because these feel like old photographs. I also see why you may have chosen to use an office chair because these could be people all working together. Just a thought! Overall, I think you have a great idea and I think these photos are all working really well together.

  2. Sophie Avatar
    Sophie

    Hi Andi!
    I love both your concept and execution, very creative! As far as composition goes, these pieces are very strong. As the viewer I am captivated, and my eyes are forced to move about the entirety of the images. I particularly enjoy the portrait photos that utilize triangulation among the three heads of the subjects, I am forced to review the photo over and over as my eyes move between all three. They utilize levels and take up the entire frame with their strategic chaos. My only suggestion is regarding some of the edited ones, namely the first and last images. I feel that your lighting is dramatic and done well throughout, but the editing tactics of these photos take away from that artistry, that being said, this may also just be personal preference. I would also say that the blurred photo is interesting, but might be made more visually exciting if only one or two of the subjects are blurred by movement, while one subject in the middle is in focus (for example). Overall, very well done, these photos held me very captivated. I can’t wait to see your finished work!

  3. mcreedep Avatar
    mcreedep

    Hiiii Andi, I love your topic so much, and I think the way you have portrayed it is very captivating. I love love love so many of these photos so much, they are worthy of being hung up on a wall for sure. I think the composition of many of these is extraordinary, the lines created by the limbs, as well as the lines created by the bright light and harsh shadows. I think the level of symmetry in some of these make very good photos as well. I really enjoy the black and white editing and level of contrast between light and dark. Although I understand the vision of the editing and can appreciate the quality it provides some of the images, my favourites are the ones that stay very crisp and clear. I also love the cropped in one of the crotch sniff, I love the composition so much, with the hands reaching in from the outside and the details and shadows. I like how that photo detaches from the studio environment, there is little context of where this photo is set. My suggestion is to possibly explore more photos similar to that one and having photos that are framed more close up, to focus on the details and composition of a closed space. Overall you did a really good job of expressing your idea, I like how the editing makes them shiny and glossy, like they are “fake looking”, the lack of empathy or attachment is conveyed very well. Yayyyyy good job!

  4. bsharm04 Avatar
    bsharm04

    Hi Andi!

    I am in absolute awe, these photos turned out indredible! I love the contrast in them, and I think keeping everything in black and white is super effective. The composition of the photos are so captivating, and I love the way they have been edited. There is so much detail in every single photo, I find myself going back to each one and seeing something new every time! I’m very drawn to the mirrored image of the shoe and the model’s head, and I think it would be very cool to see more images like that!

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